The Clash Is GMA's Flagship Musical Show Not AllOutSundays

AllOutSundays isn't lighting up the sky, a show that has been plague with nonsensical comedy since it started early this year, and then the pandemic hit that caused them to water down the program even further.

In a rather so so December 13 episode headlined by a mediocre opening and a Tiktok battle between two said "online sensations" that have no business being on a TV show aside from maybe some gay executives that are probably aroused by them, GMA should be renaming the show as All Asleep Sundays or All Bored Sundays as that is what the viewers probably felt because there's really nothing all out about what they are doing.

The show had somehow taken a backseat to The Clash as the network's flagship musical show, and one should rather watch aspiring singers of the talent show than tune in to the eye rolling pick up lines of Ken Chan and Rita Daniella or to whatever shenanigan Paolo Contis is doing.

The Clash had two great prods on AOS to hype their final clash and even had it taped in their own Clash Arena instead on AOS' Sunday Pinasaya inspired stage which gave it a true concert vibe.

Even the GMA big bosses thought The Clash is more special entrusting them the network's Christmas musical special, kicking AllOutSundays to the curb.

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